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X-ORIGINAL-URL:https://stage.capic.org
X-WR-CALDESC:Events for CAPIC-National
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DTSTART;TZID=America/Toronto:20220514T113000
DTEND;TZID=America/Toronto:20220514T133000
DTSTAMP:20260422T041612
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SUMMARY:Xposé Speaker Series: Wayne Salmon & Cory Wilyman in Conversation w/ Haley Chambers
DESCRIPTION:CAPIC Toronto Chapter presents: \nThe Xposé 2022 Speaker Series\n  \n \n  \nCAPIC is pleased to announce the Xposé 2022 Speaker Series. Two days of talks will be taking place in the gallery space throughout the run of the Xposé 2022 exhibition. The exhibition will be mounted from May 11th to May 22nd\, 2022\, at the Papermill Gallery at Todmorden Mills Heritage Site in Toronto. \nJoin CAPIC Saturday\, May 14th\, 2022 from 11:30am-1:30pm for two talks from different perspectives of individuals from the Toronto fine art photography scene. Photographer Wayne Salmon will present on his ongoing project photographing the Caribbean community in Kensington Market (2000-present). Gallery owner Cory Wilyman will be in conversation with curator Haley Chambers on his experience transitioning from the film industry to opening a top fine art photography gallery. \n  \nWayne Salmon \nThe Kensington Market Project (2000-present) \nBeginning in the year 2000\, I’ve been photographing Kensington Market with a Holga plastic lens camera.  I’m interested in the Caribbean community and its relationship to the market. I also want to discuss my approach to making the project\, while thinking about Transatlantic modes of art/music making by way of the Blues and Dub (Version).  With this project I wanted to explore ideas around migration\, absences\, memory\, remembering and becoming.   \n \n  \nToronto-based artist Wayne Salmon works in photography\, film and installation. Born in Jamaica\, he immigrated to Canada in the early 1980’s. Salmon’s work is concerned with Black sociality\, particularly issues around history\, migration\, memory and becoming. He received a Master of Fine Arts degree from Ryerson University.   \nWayne was the founding editor of Umoja Urban Culture Magazine\, and a co-founder and curator at Brickhouse Studio & Gallery\, Salmon’s writings have appeared in various publications.  His photographs have been exhibited in galleries and museums in Canada and the US. \nhttp://www.wksprojects.com\n \n \n  \nCory Wilyman in Conversation with Haley Chambers\nThe Path from Director of Photography to Gallery Owner \n \nCory Wilyman will discuss his journey leaving a career in the film industry as a Director of Photography to open a successful fine art photography gallery. \nCory Wilyman is the Co-founder of The Cardinal Gallery in Toronto. The Cardinal is a creative exhibition space with a focus on showing fine art photography as well as providing a providing an inviting event venue for the fine arts community. \nhttps://www.thecardinalgallery.ca\n  \nHaley Chambers is a curator and photographer. She is also the owner of Little Bee Creatives\, a woman-owned company based in Toronto selling hand made items and artwork. \nhttps://www.little-bee.ca/
URL:https://stage.capic.org/event/xpose-speaker-series-wayne-cory-haley/
LOCATION:The Papermill Gallery at Todmorden Mills\, 67 Pottery Road\, Toronto\, Ontario\, M4K 2B9\, Canada
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DTSTART;TZID=America/Toronto:20220514T140000
DTEND;TZID=America/Toronto:20220514T160000
DTSTAMP:20260422T041612
CREATED:20220318T192536Z
LAST-MODIFIED:20220419T025832Z
UID:17167-1652536800-1652544000@stage.capic.org
SUMMARY:Xposé Speaker Series: Michelle Huisman & Thomas Brasch
DESCRIPTION:CAPIC Toronto Chapter presents: \nThe Xposé 2022 Speaker Series\n \nCAPIC is pleased to announce the Xposé 2022 Speaker Series. Two days of talks will be taking place in the gallery space throughout the run of the Xposé 2022 exhibition. The exhibition will be mounted from May 11th to May 22nd\, 2022\, at the Papermill Gallery at Todmorden Mills Heritage Site in Toronto. \nJoin CAPIC Saturday\, May 14th\, 2022 from 2-4pm for talks from two fine art photographers: Michelle Huisman and Thomas Brasch. Both will present on their journeys to becoming lens-based artists\, career transitions\, and their respective practices. \n  \nMichelle Huisman\nOn Coming back to Photography \nJoin Michelle Leone Huisman as she talks about her experience of coming full circle back to photography. Learning from Professor Barbara Astman at Ontario College of Arts and Design about alternative processes in 4th year University was an influential highlight of her appreciation of unique creative processes. This experience led to selling her thesis project to Polaroid. After graduating from Ryerson University (renaming in process) Photographic Arts with Honors\, Huisman left the Toronto area and started new business and creative adventures in Vancouver. Since that formative time\, she has maintained an avid interest in alternative photography processes. After using her photographic background to support her set decorating and interior design businesses\, she has come back to embrace her passion for alternative printing processes in fine art photography. This resurgent interest led to a wonderful introduction to Bob Carnie in 2019. Please join her as she talks about her experiences outside of photography and learning a 19th Century printing process called tri-colour gum bichromate over palladium.  \n  \nMichelle Leone Huisman is an award-winning fine art photographer from Vancouver\, BC who seeks out beauty in everyday surroundings.  \nThe pandemic has inspired her to create two exhibitions. The first An Unexpected Collection features photographs of spoons broken during the 7pm cheer for first responders and has shown across Canada. The current exhibition Global Pandemic presents photographs of discarded face masks juxtaposed with objects from nature and paired with children’s fables.  \nHuisman uses a 19th Century printing technique called tri-colour gum bichromate over palladium. The timelessness\, craftmanship and originality produced\, resonates with her approach to fine art photography. This technique is reputed to maintain its quality for more than 500 years. She chose this technique out of a sense of archival responsibility. The enduring quality of the print ensures these stories can still be told for generations to come.  \nWorking with and learning from photographic printmaker Bob Carnie has transformed Huisman’s photography experience. The process has added new shades of context and meaning to these collections. \nwww.michellehuisman.com\n  \nThomas Brasch\nThe Business Behind the Practice: Notes on Sustaining a Career as a Lens-Based Artist \nThomas’ style of lens-based abstraction is multi-layered\, and provides a new narrative to how we can see conventional pictures from a new perspective through the use of powerful aesthetics. However\, creativity only seems to be 20% of the work. The other 80% of a photography career is the business and promotional elements. Thomas will share his personal career journey\, his successes and failures\, and provide useful suggestions on how to make your mark without breaking the bank (too much). \n \nBefore embarking on his second career as a lens-based artist\, Thomas Brasch (B.A.\, B.Ed.\, MBA) devoted thirty years to education (secondary school: sciences\, French\, and special education). Completely self-taught in analogue and digital photography\, he is able to showcase his perceptions of beauty\, turning the real into the the surreal. With a background in sciences\, languages\, education\, and business\, he is able to blend the skills he has learned and apply them to his artistic practice. \nhttps://thomasbrasch.com
URL:https://stage.capic.org/event/xpose-speaker-series-michelle-huisman-thomas-brasch/
LOCATION:The Papermill Gallery at Todmorden Mills\, 67 Pottery Road\, Toronto\, Ontario\, M4K 2B9\, Canada
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